There’s also Miller’s top-notch accent work that is every bit as thoughtful and lived-in as the ballyhooed Delco drawl that earned Kate Winslet an Emmy for “Mare of Easttown. She brings a sense of stage physicality to the role, reflected in distinct body postures that recur with each of Raq’s moods, from flirtatious to menacing to maternal. But she found the core of Raquel’s character by channeling her own mother, who gave birth to Miller at 15. Miller is playing against type in “Raising Kanan,” having made her name in stage musicals including “Sister Act” and “Pippin”, for which she earned a Tony for lead actress in 2013. It’s a character that demands the rare combination of intensity and nuance, and Miller’s performance perfectly calibrates both. Raq can’t afford to betray a moment of weakness, but her greatest vulnerability is her love for her son. Raq is a petite woman operating in a male-dominated criminal underworld where “might makes right.” For her, no slight or disrespect can go publicly unanswered, and de-escalation is usually a last resort. The opening sequence makes for a powerful dual origin story for Raq and teenage Kanan, with the mother passing down generational wisdom to her son. By the time mother and son reconvene, Kanan has gained a reputation and decommissioned a sock. Randi Zuckerberg, sister of Mark and an American Theatre Wing board member, threw a baby shower at her Upper West Side home for Tony Award winner and Madam Secretary star Patina Miller, who. Raq marches Kanan back to the scene of the crime and lays out his choices: either he pummels the culprits with her improvised weapon or he faces her wrath later. While Raq chastises her son for making himself an easy target, she casually drops D-cell batteries into an athletic sock. That Kanan, who eventually died in a hail of police gunfire, is difficult to square with the elementary-age kid first seen in “Raising Kanan” crying and bruised after being brutally robbed by neighborhood toughs.Īs Kanan lies in bed nursing his wounds, the connective tissue between his child and adult versions comes breezing in wearing skin-tight denim and nuclear-green gel nails. He was a pure vessel of malice and chaos, a trigger-happy wild card who cast an outsize shadow over the series relative to his screen time. ![]() The Kanan audiences met in “Power” wasn’t as much a rapacious kingpin as a Cormac McCarthy villain. But his attraction to the criminal underworld was about more than capitalism. ![]() As played by Curtis “50 Cent” Jackson, the adult Kanan was truly his mother’s son: a big-timer in New York City’s pills-and-powder game. As fans of the franchise know, Raquel’s efforts to steer Kanan down a more righteous path prove to be a colossal failure.
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